In his review in the Oct. 13 Style section of the Washington Post of the concert by the great American pianist Richard Goode on Oct. 11 at the Kennedy Center Terrace Theater, Robert Battey begins with a long paragraph about Goode’s using the score for each of the late Beethoven sonatas he played, Op.109, Op. 110 and Op. 111. An “oddity” he termed it, “or even a weakness.” This seems to be an …

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